Zhuang Zi in the ‘free trip’ has recounted a philosophical fable, ‘the roc's migration in the South Hades also, the water hit the three thousand miles, Tuan Fuyao up to ninety thousand miles, to go to June rest also’, ‘roc journey ten thousand miles’ as a blessing for the future of the auspicious words were widely circulated by the people. This new product ‘Ten Thousand Miles’ is widely circulated. The allusion used in this product is also derived from this.
In terms of the form of the work, the lines of the painting are dense and rigorous, and the light and shadow colours are layered with a sense of detail. As far as the content of the work is concerned, the main body of the picture is a huge car building brightly lit at night, with a strong stylistic collision between the ancient pavilions and modern steam machinery, and the coexistence of birds and people gives a touch of fantastical mythological colours to the Lingnan culture embedded in the picture, which, in the intertwining of vintage and science and technology, highlights the rich and peculiar Chinese aesthetics and imagination.