This painting originated from the artist's sketches of trees and rocks at Fayu Temple in the autumn of the Year of the Ox. It primarily combines traditional Chinese aesthetic symbols such as pine trees and Taihu stones with Western painting elements like waves, skies, and shadows, using surrealist techniques to harmoniously coexist within a balanced composition. This evokes the modern significance of cultural fusion. Whether sitting or lying down to view the painting, one can let their mind wander far and wide.